Black Magic Camera/Aaton Open day 2

Blogon October 12th, 2012No Comments

Our first Black Magic Cinema Camera and Aaton Delta Penelope Open day took place Wednesday afternoon, October 10th. Due to demand, we will now be going ahead with the provisional second Open day for those who were unable to make it this week.

This will be held on Wednesday October 24th at 2.30pm. Please email us at diroom@diroom.com to RSVP and we will be in touch closer to the date with more details. We’re happy to be able to show this footage to those of you in the industry who may be considering working with these cameras in future, and to demonstrate how they affect the post-production of your project.

BMCC/Aaton Open day Feedback

Blogon October 11th, 2012No Comments

Our Black Magic Cinema Camera and Aaton Delta Penelope Open day took place yesterday afternoon with a good attendance of people from a variety of fields from Cinematographers, to Camera Operators and Focus pullers. The day was a success, and people in attendance were happy to have the opportunity to properly scrutinise the footage from both cameras.

The day was carried out in our Resolve 9 suite, where we were able to view the footage on a calibrated monitor, which really helps to show the detail in the image that you cannot get from a compressed video online, or even from uncompressed footage on a regular screen.We were also able to show both the original camera RAW file, as well as graded tests on the images to show their latitude.

We shall be organising a more comprehensive day in the future, which will be in the style of a workshop event, where we will be able to test out the Black Magic Camera in a real world context, and then bring the resulting footage back into our suite for further testing. Those who RSVPed and attended the first Open Day will be informed of when this might take place. If this is something you might be interested in, please send us an email, and we will add you to the waiting list, so you can be kept up to date and for the possibility to participate.

We will also be keeping a close eye on the progress of the Aaton Delta Penelope, and perform further tests on new footage as the camera evolves. Before and after frame grabs from the footage shown in the open day of both cameras, will be posted onto the site in the coming weeks.

Black Magic Camera/Aaton Delta Penelope Open day

Blogon October 1st, 2012No Comments
The diRoom will be having an Open day where you can have a look at the RAW footage from both the Black magic Camera and the Aaton Delta Penelope, in an actual grading environment, on a calibrated monitor with one of our colourists, and be able to test the material in various ways so you can see for yourself, just how useful shooting with these cameras might be in post, or in your post workflow.

The first day we are looking to schedule, would be for next Wednesday, October 10th 2012 at 2.30pm

There is also a provisional session scheduled for Wednesday 24th of October at 2.30pm (TBC)

If you would like to participate, please send an email to diroom@diroom.com

If you know anyone else who might be interested in coming along, please let them know and get them to email us and we can add them to the list.

The same list of people will be RSVPed for our more comprehensive test and open day specifically for the Black Magic Camera later in the year/early next year depending on when the manufacturing delay has been sorted out.

 

We look forward to hearing from you.

The Festivity Jacket at IMMAGIMONDO film festival

Blogon September 26th, 2012No Comments
The Festivity Jacket at IMMAGIMONDO film festival

The short film The Festivity Jacket (Il Vestito della Festa) was selected and screened recently at the IMMAGIMONDO festival in Italy. Congratulations to director Alessandro Alpini, and we hope for the continued success of the film in the months to come. We performed conform and colour grading on the film, which was shot on the ARRI Alexa.

 

Candle To Water – 16mm Feature Film

Blogon August 10th, 2012No Comments
Candle To Water – 16mm Feature Film

We are happy to announce completion on the feature film Candle To Water, directed by Nihat Seven, and edited by Nigel Galt (Full Metal Jacket, Eyes Wide Shut). The film was shot on 16mm, and posted here at diRoom using our DPX film workflow solution, grading and finishing at 2K. VFX creation and insertion was also handled in house as was the conform. We wish Nihat and the team well on the future release of the film

 

Dry Screening News

Blogon August 7th, 2012No Comments
Dry Screening News

The short film Dry directed by Nic Wassell which was shot on 16mm with post production at diRoom, has had some success since it’s completion with screenings at a number of festivals and film showcases. It has now been selected to screen at the Flashframe short film night right opposite us on Brick Lane at 93 Feet East on Wednesday August 8th. We wish Nic all the best on the future progress of the film.

 

The Fighter’s Ballad at LIFF

Blogon April 10th, 2012No Comments

The Fighter’s Ballad has been selected for the London Independent Film Festival 2012, and is the opening feature film on Thursday 12th April.

Visit the LIFF website for more info.

 

The Receptionist Trailer Premiere

Blogon April 10th, 2012No Comments
The Receptionist Trailer Premiere

Finished grading on the trailer promo for the upcoming feature film The Receptionist, directed by Jenny Lu. The trailer had its online premiere last week, check it out on the films website.

 

The Fighter’s Ballad Screening

Blogon October 11th, 2011No Comments

The Fighter’s Ballad will have a special screening and Q&A with the filmmakers including Director Tony S Ukpo at the Cornwall Film Festival on November 6th. This will be a great opportunity to catch this powerful, provocative drama.

 

Director Tim Barrow invites audiences to The Space Between

Blog, Uncategorizedon May 4th, 2011No Comments

Laurie Dunsire talks to Tim Barrow about his latest film The Space Between, and discusses it’s themes, story and production.

“This is a phenomenal city, the light changes here constantly. I think anyone who shoots a film in Edinburgh has to be influenced by the light and the clarity it gives in the summer.”

Read the full article here: